home

news

paintings

photography

Installations/Objects

purchase prints

profile

contact
news
 

Illume


New paintings

Perth Galleries
92 Stirling Hwy North Fremantle

Opens 24 September, 2010
Exhibition runs until 17th October

 

Upcoming solo exhibition at Perth Galleries in September 2010 featuring my latest paintings.

 


"If Rothko polished the world to an icy emptiness, Annie Hsiao-Wen Wang tunes it to melodic perfection." 

- David Bromfield.



Click here to download the catalogue.















Discordant Natures

New installations

Spectrum Project Space
221 Beaufort Street Northbridge

Opens 6pm, 11 September, 2009
Exhibition runs until 27th September

 

 

Discordant Natures is an exhibition of new installations by two emerging artists Janet Carter and Annie Hsiao-Wen Wang, exploring the sense of discomfort and unease with which we deal with our bodies in the contemporary culture. The exhibition will be a direct result of their residency at Spectrum Project Space in August 2009. 

Annie Hsiao-Wen Wang brings sculpture, painting and objects into an ensemble of work that occupies the space with a disturbingly broken sense of presence. Using seemingly uninteresting everyday objects as the subject of her scrutiny (a pair of underwear, a tampon), she raises questions on the discordant and fragmented way with which we approach our feminine body, sexuality and identity.  

Janet Carter’s work builds on her existing practice of investigating the place of our bodies within the contemporary western world. It takes as its inspiration queer and feminist theories' perceptions of non-hegemonic (ie not male, white, heterosexual...) bodies as Other, object, and as constrained, bound or disciplined by their otherness. The work, as it will appear in the show, takes the form of an immersive installation combining sculptural forms created from bound inner tubes, and video works which illustrate the performed act of binding those 'bodies'.

 




 




--


Click here to download the catalogue
 
'Prayers on a g-string' by Ric Spencer - The West Australian, 18th September 2009

'Uneasy bodies of work' by Jacqui Bahr - The Wire Mag, 10th September 2009
 


 










Young Artists with Artitude 2009

Winner of the YAWA 2009 Award

Fundraising for the Telethon Speech & Hearing
Lobby of InterContinental Perth Burswood

22 June - 17 July 2009







 
 











Open Studios Day

Old Customs House, Fremantle

26 October, 2008

  

 

 

 


 

8.08: ECU Mid-Year Visual Arts Graduate Exhibition

Spectrum Project Space, Northbridge

20th - 29th June 2008


 

"Annie Hsiao-Wen Wang's paintings were carefully realised, colourful and emotive works of hypnotic power." 

- Bellwether, G. Pryor (ed.).

 

 

 

 

 

Click here to see 8.08 interview (Southern Gazette)
 

 

 
 

  


 

 

Ghosts and Shadows: death of the Rickshaw era in Dhaka?

Dhaka, Bangladesh

January 2008

(In January 2008 I travelled to Dhaka to cover a photojournalism story on rickshaws from the view point of eco-friendly transportation.)

Click here to see images for the story.

_____________________________

 

 

"A rickshaw ride is the quintessential Bangladeshi experience." 

 – The Lonely Planet

 

Meet Mohammed Selim: aged 39, a Geneva Refugee Camp resident and a day-time rickshaw-wallah with a hesitant smile and a kind face. Hindi is his first language, and when asked where his home is, he replies that he has "no home, no country". Instead, like 20,000 other families at the Geneva Camp, Selim, his wife and four sons have made their home out of a three-by-three meter room for the last twenty-five years.

The room is small, but clean and tidy. There is a kitchen and basin to the left as you walk in the door, a cabinet at the end wall to store all of the family’s belongings, and a small television perched on the top. Selim pulls up the only two chairs he owns and invites his guests into his home.

On an average day, Selim pulls a rickshaw that he hires for 50 taka between 6am and 12pm, earning between 80 to 150 taka. After he returns home, he tries to find some day-labourer jobs around the area in the afternoon. Selim’s eldest son of fourteen years is the only other income earner in the family, working as a mechanic at the local garage. The other three sons, aged 3, 5 and 6, are too young to work and school is not an option for them at all as it is too expensive.

Selim’s story is typical of a rickshaw-wallah in Dhaka. Amongst the most marginalised members of the community, these hardworking men are not given the credit and the respect that they deserve. Rickshaw-wallahs are like ghosts and shadows in the Dhaka community – most of us middle-class patrons do not even take the time to look at our last rickshaw-wallah’s face. Often in the streets of Dhaka you can see rickshaw-wallahs being abused and beaten by the traffic police and even by the patrons.

No one is sure of exactly how many rickshaws there are in Dhaka. According to the Dhaka City Corporation (DCC), there are currently 79,554 registered rickshaws in the city. However, it is suspected that there are thousands of unregistered rickshaws on the roads. DCC has resolved to restrict the licensing of rickshaws and has not issued any new licenses since 1986. As a result, the number of illegal rickshaws on the roads of Dhaka grows every year. Almost all rickshaw-wallahs do not own their own rickshaws, but hire from the owners of a rickshaw garage for a large security deposit. As such, rickshaw-wallahs live in the fear of encountering traffic police who have the power to confiscate their rickshaws; and despite the miniscule income that they make daily, they must put aside an amount for bribes.

Sk. Quddusahmed of Urban Planning Division claims that DCC has a "good attitude" towards rickshaws in Dhaka, but continues to restrict rickshaw access in a growing number of VIP roads in order to control the traffic flow in Dhaka. Confiscated rickshaws are transferred to a rickshaw dumping station in Agargaon. "In the long run," Sk. Quddusahmed explained, "there are plans to distribute the evicted rickshaws to the poor villages outside of Dhaka". When probed further, Mr Quddusahmed could not indicate the timeframe of such a long-term plan. Instead, thousands of rickshaws now sit amongst growing weed in the rickshaw graveyard, their once-brilliant colours fading in the sun and their chassis now rusting and rotting in the rain.

To a foreigner who owns her own car and belongs to a nation that is ranked as the worst greenhouse gas polluter1, I see rickshaws as an environmental, as well as cultural, asset of Bangladesh. It appears that other nations in the west are beginning to follow the Asian example, as various forms of "BicyTaxis" and "PediCabs" begin to appear in most large European cities and in New York.

A reform in the way traffic and rickshaws are dealt with should be called upon in Dhaka, and rickshaw-wallahs should be given the rights and respect that they deserve. Officials should begin to realise the importance of rickshaws as an eco-friendly mode of transportation, as well as contributing to the economy, the job market, and adding to the overall cultural experience of Bangladesh. Appropriate management and planning is the key to sustaining such an asset, which will otherwise disappear and be lost forever.

 

-----------------------------------------

1 November 2007, based on power station emission.

---
 
homenewspaintingsphotographyInstallations/Objectspurchase printsprofilecontact